Showing posts with label guest post. Show all posts
Showing posts with label guest post. Show all posts

Friday, 3 January 2014

Book Tour ~ Sparks by RS McCoy - Guest Post

"Everyone in the world has a spark, a light inside that guides them, keeps them alive.”

Myxini School for Children specializes in training young men and women who have powerful sparks. Strikers are taught to manipulate fire. Trackers learn to find animals in the most formidable terrains. Handlers are instructed in communication with large predators. But forty years have passed since the last time they had a Reader – a student with the ability to read minds.

When Lark Davies enrolls at Myxini, he knows there aren’t many like him, but he doesn’t realize just how rare his abilities really are. He thinks nothing of being asked to keep his spark a secret; after all, he can barely control it. Thoughts and emotions flood unbidden into his mind until he can scarcely walk or hold a conversation. But just when he needs it most, his ability fails him.

Larks meets Khea, a small frightened girl who mysteriously insights his protective nature. He has no explanation for the curious strength of their relationship, and it doesn’t help that she is one of the few people in the world whose thoughts can’t be read. As he struggles to get to the root of their unique bond, Lark begins to unravel more power than even his mentor expected, but in the process makes himself a target to political leaders eager to take control.


Guest PostComing Clean: How to Tell Others That You Write

For many of us independent authors, we started out in the moonlight hours. By day we are accountants, firemen, teachers and telemarketers, but at night, WHAM! We throw on our fancy capes and live the glorious lives of characters that exist only in our minds.

At some point, we are ready to emerge from the darkness and present our baby to the world. We may attempt the traditional publishing route at first, or go directly to the less formidable self-publishing. Either way, our blood, sweat and tears will see the light of day.

Whether or not you decide to quit your day job, we will all have to tell the world that we are writers. It might be that we need to be present for our marketing strategy, or maybe we need to contact independent bookstores and beg for mercy. No matter what, the truth has to come out.

Why don’t we just tell everyone from the get go? Why is there such a stigma for new or independent authors? For some of us, the content of our novels may not jive with our daily lives. Accountant by day, erotica novelist by night; perhaps not a great conversation starter at lunch.

Or maybe there is some mildly inappropriate component to our novel that we don’t necessarily want to reflect on ourselves or our family. Just imagine: “Hey Grams, I just wrote this book! Kids are dropping F-bombs and making out in the back seat like you wouldn’t believe! Can you pass it around to all your friends?”

Perhaps we’re just nervous of being judged. Writing has a tendency to be intensely personal, even if the content is fictional. What if someone reads our book and doesn’t like it? We could go down in writing infamy, to lie for all eternity somewhere next to Rebecca Black and William Hung.

So who should you tell and where should you start? First, consider whether or not the content of your work could have negative repercussions for your job. Do you teach elementary school? Then it’s probably great if your students, parents, and coworkers are in the know about a children’s book you just published. On the other hand, if you wrote a book about sex crimes, you might just want to keep that to yourself between nine and five.

Second, could your friends and family be negatively represented by your novel? If you wrote a young adult novel about time travel, you’re probably safe. If you wrote a book on the misery of your childhood and all the therapy you had to pay for, then perhaps you shouldn’t mention your book at Thanksgiving. It’s just not polite.

Then, consider if your friends and family could represent a network connection for your genre. My mom happens to host a monthly book club for some wine enthusiasts. I offered them an early copy of my manuscript and was grateful for the feedback. I know when the editing is complete, those lovely ladies will be my biggest backers.

Most importantly, do you love writing? Has writing become a part of who you are? If there isn’t a reason to keep it to yourself, then by all means share it with the world! Shout it from the proverbial mountain top. Tell your barista at Starbucks, the girls who bags your groceries, and anyone else you can get to listen.

In fact, it may be easier to start with strangers. For all you know, you’ll never see them again. A guy on the corner asks for your spare change? Lean out your window and shout “I wrote a book and it’s damn good!” Sweet little lady in the elevator wants to swap life stories? Feel free to drop in a “I’ve been writing in my basement for three years” between breaths.

It’s time to embrace it. Be proud of who you are. You are a writer. Someday you will be published. Go forth and tell the world!



Sparks Chapter Four Excerpt


I ran over to her as soon as I saw her, but the blank expression she wore made it clear she wasn’t all that pleased to see me. It had been months, and I'd almost thought she'd gone home, or hadn't had a bright enough spark after all. I could have jumped and yelled from excitement to see her.
“Khea?”
“Lark, have you met my mentor Mathias?” She turned to look at a middle aged man who stood behind her. I couldn’t get a read on either one, though it was hard to tell in the commotion of the training area. He wore the gray coverings that all mentors wore, and despite the age on his face, his golden hair matched the yellow pendant about his neck; which itself was inlaid with a black stone spider.
“Where have you been all this time?”
“Training, of course. Haven’t you?”
“Well, yes, but-. Why haven’t I seen you?”
“Mathias is responsible for all my lessons.” She was cold and dismissive, almost as if I bothered her. I couldn’t believe it. Why is she being so weird? I only wanted to make sure she was safe, that she was taken care of. What happened?
With a wave of dismissal she walked past me to challenge Parvani and I was sure my mouth dropped to the ground. Does she have any idea what she’s doing?
“Is she crazy?” Micha asked. He seemed more worried for her mental faculties than her general well-being, though I couldn’t disagree.
They stood and faced each other as Sinha commenced the fight. Khea was at least a full foot shorter than Parvani and looked like she could be her toy. I didn’t imagine Parvani was going to let her down easy.
In a moment of what must have been suicidal desire, Khea lunged, blocked a punch, and landed her fist square on Parvani’s cheek before the larger girl dropped onto her back on the ground. It was the most impressive display I had ever seen. Once she knew what she was up against, Parvani put in real effort to fight, and for a while, it seemed as if they were evenly matched. The final blow came when Khea grabbed Parvani's wrist, spun around her, and forced her to the ground. “Yield,” Parvani let out, defeated.
Without a word to me or Micha, Khea walked back to Mathias and he led her away. It was all I could think about the rest of the day, and into the next morning. What happened to Khea? Where has she been all this time and why is she so distant now? And since when was she some sort of combat master?
The next day Khea returned alone and challenged Shaz, a move that made me feel that Micha might have been right. Unlike Parvani, Shaz only lasted a measly few minutes before the pain in his leg prompted a yield. That time I was able to catch her before she left.
“Hey, Khea. What’s going on? Why won’t you talk to me?”
“I’m sorry, I’m not allowed to.”
“You’re not allowed to? Says who? That Mathias guy?” It seemed outlandish that anyone should be prevented from seeing me, particularly Khea.
She nodded before she replied, “I’m not supposed to talk to you. Please leave me alone.” Right then a boulder fell from the sky and crushed me. I just wanted to make sure she was alright. Why would someone prevent that? What made it worse was that she went along with it. She hadn’t fought against it or refused to follow his rules. My insides ached in a new kind of pain.
She began to walk away, but she turned around suddenly and leaned in close. “Meet me at the gardens after dinner,” she whispered. A wide smile pressed into my cheeks; my friend was in there somewhere. Mathias may have convinced her to follow him publicly, but somewhere and in some small part, she was still my friend.
About the Author

RS McCoy didn’t ever plan on being a writer. With a career teaching high school science, writing is the last thing she expected. But life never goes the way you think it will. While battling cancer, she picked up her laptop and let the words flow out. One year later, her first published fantasy novel will be released on Amazon soon and her second novel is in the works. She is a wife, mother of one with another on the way, a scientist, baker, gardener, and life-long science fiction and fantasy addict.

Monday, 18 November 2013

Guest Post by Petrea Burchard

About the Book

Description:
Telling lies is second nature to Casey Clemens, whether she's talking to strangers on national television or to her mother on the phone. Casey's got a cushy Hollywood condo, an efficient cleaning lady and a rich boyfriend. (Never mind that he's married.) When Casey feels dissatisfied she fantasizes: about winning an Oscar, about finding real love or about her childhood hero, King Arthur.
It feels like an acting career, sort of, until the day before Casey's 40th birthday when she loses everything she never cared about, falls through a gap in time and lands in the 6th century war camp of King Arthur himself. He mistakes her for a wizard and takes her in. But as she finds her feelings warming to him she also finds enemies. War is fast approaching, and the Dark Ages are a perilous time for an actress with an honesty problem. That is, if she wants to make it back to the 21st century alive. Not that she could if she wanted to. Not that she wants to.


Guest Post ~ Falling in Love with Your Book


Writing a book is like being married. First you have to fall in love, then you have to make a commitment.

I was working as an actor in Hollywood, doing the occasional commercial or small role on a TV show. I was getting nowhere, and supplementing my income with typing jobs. The most fun I had was writing a humor column about acting, and I loved doing that. But was I an actor? Was I an artist at all? Without career success could I be in love, and stay in love, with acting?

I made a last ditch effort.

At the British American Drama Academy's four week summer program at Oxford, I began to answer my questions about my abilities and dedication. And it was after the course ended, during two weeks of being a tourist in England, that I began to see other possibilities.

On a visit to Glastonbury, my friend and I climbed the famous Tor with our guide. The damp, cloudy day was almost dark. We moseyed around the top of the Tor, not a big area. To the southeast was a huge, low mound, and I asked the guide what it was. "That's Cadbury Hill," he said. "Legend says it was Camelot."

Camelot! I knew there had never been a place so-named, or at least we had no historical record of it. But could King Arthur have lived there, or someone on whom the Arthurian legends are based? If so, what had his life there been like? When? What if I could go there? I mean really go there, back to the Dark Ages, back to King Arthur? And off went my mind, imagining.

Once again I was in love——this time, with the idea that would become my novel, Camelot & Vine.

Back in Los Angeles I began reading about Cadbury Hill: its present, its history and its archaeology. A great warlord had indeed lived with his entourage atop Cadbury Hill in the early 6th century. Geoffrey Ashe has written three books on the historical possibilities of an Arthurian figure. There was no person named “King Arthur,” but there were people on whom such a mythic figure could be based, and he would have been around in the late 5th or early 6th centuries. Basically, 500AD.

Though I wanted to go I couldn’t send myself to the Dark Ages, so I sent my heroine, Casey Clemens. She and I have little in common: she’s an actress who lives in southern California, but beyond that she’s a much different person and not always likeable (unlike me!). But I fell in love with her and all her flaws.

I fell in love with the Arthur I created, and the Guinevere and the Lancelot, and all the other characters. I fell in love with 6th century Cadbury Hill (Cadebir), a setting I was able to research in detail. And I fell in love with the story of how Casey learns from her fears, her powers and her loves.

It wasn’t easy to get it right. I wrote draft after draft. But I was committed to my characters and my story, and eventually I had a novel I could be proud of.

When it was finished my heart broke a little. I knew I would miss living in that story, and I do.

I’ve started on the next novel. I like my characters. I haven’t fallen in love with them yet but I will, as soon as I get over my relationship with Camelot & Vine.


About the Author

Petrea Burchard started as an actor. Then she wrote about it.

She began her acting career in Chicago at The Second City, Steppenwolf and Victory Gardens Theaters, later moving to Los Angeles to work in television, film, and voice-over. Auditions, jobs and the people she met (famous and infamous) became fodder for her popular Act As If humor column at NowCasting.com.
Petrea also drew on her acting experience to write her first novel. During a summer Shakespeare acting course at Oxford, she fell in love with the English countryside, and the idea for Camelot & Vine began to take shape.

Other published works include a short story, "Portraits," in "Literary Pasadena: The Fiction Edition," a new anthology from Prospect Park Media, articles for Patch online newspapers, flash fiction like "Belinda's Birthday," and an essay in "A Cup of Comfort for Christmas," an Adams Media paperback.

Petrea writes mostly full-time now, and continues to work as a voice actor. She's known as the original English voice of Ryoko, the sexy space pirate in the animé classic, Tenchi Muyo!. She is currently the radio and TV voice of Stater Brothers Markets in southern California.

Thursday, 14 November 2013

Guest Post by Chris Reardon

ObstaclesAbout the Book

Description:
A child will die. You're afraid to live. Would you go to all lengths to save him? Darkness knows no bounds, as Alcott, an African American doctor sees all too well. The man is petrified by death. His fragile existence rests at the mercy of the universe. This fact is far too much for him to handle. From unyielding nightmares to elevator terrors, he's lost in paranoia.

Assigned to look after an ill child, Alcott's horrors only heighten. Gari is a nine-year-old boy with a fatal disease. He will surely pass on within the year. Alcott bonds with him more and more each day. Part of him knows this grim fate just isn't right.

Alcott befriends a hospital patient. This lunatic forces him to lug home an ancient text on bringing back the dead. Despite the man's obvious dementia, Alcott attempts the scheme. Charging up a cliff, he recites the chant over ocean gusts.

A god woman glides in from the horizon. She instructs Alcott on the trials to save Gari's life. These fearsome Obstacles require true strength. From battling sharks to wielding a flail, he must prove fortitude against genuine danger. Alcott decides his fate at this moment.

Death's claws shall not grasp Gari's soul.

Guest Post

Have you ever wanted to write a book? I did, but had absolutely no idea what I was getting into! At first, I figured, everybody seems to have written one, so it can't be that hard, can it? I was completely wrong! After I felt like I had written a ton, I decided to peek at the word count. I was shocked to discover; only 10,000 words! Wow. All of that work just for a measly 10,000 words. I could not even fathom the people that seem to bust out 120,000 word novels like it's nothing.

At this point, I had to ask myself if this was seriously going to happen. My efforts and determination had to multiply 100x if I was going to accomplish this. After thinking long and hard, I decided I was going to do it. I had worked this hard already, and I was sick of quitting things halfway through. So, I kept going.

I am so glad that I did. I learned things that I could do with storyline, characters, people, and circumstances that I never would have before. I took my characters and twists in new directions that I would have never thought of initially. When it was actually complete, I could not even believe it. I was so happy I could finish something I put my mind to.

So, I would tell anybody that wants to write a book; GO FOR IT! Just make the decision up front if you are in it for the long haul. It's not something that happens easily. You have to go through tons of writer's block, lack of patience, and outlines keeping the story in check. Through all the hard work, determination, and patience, I guarantee you won't regret it.

Here's where you can reach me! email

Chris ReardonAbout the Author

Christopher Michael Reardon is a writing fellow at a Michigan College where he's currently a student. He says you always learn something new about writing when tutoring other students. Reardon is always searching for exciting books to read, especially new authors.

Reardon graduated with Honors from Lumen Christi High School in Jackson, Michigan. He's also an avid tennis player, being on the varsity tennis team for four years. He received the honor of most valuable player his senior year at number one and two singles.

Obstacles is Reardon's first novel. He says fantasy adventure books have always been an interest, because they challenge the mind and send you on an epic journey.

Tuesday, 1 October 2013

Guest Post by Addison Westlake


Today Addison's new book Facebook Jeanie is released so first of all you must all go take a look at that! Secondly read the great post Addison has written for you all today. I could relate to it well and found myself answering yes to all the questions she poses below.


Lost to Writing
By Addison Westlake

Writing a guest blog post for Lost to Books has me thinking about getting lost… I’ve been doing a lot of writing lately and I’ve been realizing something. Or, at least I think I’m realizing something. Is it just me, or has anyone else been struck by the similarities between writing and totally losing your mind? Don’t get me wrong, I’m not hating on the writing process or making light of mental illness, I’m just… seeing the similarities.

There may be others out there like me, so I’ve laid it all out so you can see what you think. For the sake of the time-pressed modern writer, I’ve formatted it into a simple six-question self-evaluation quiz.

Writer or crazy person? You be the judge. Think about yourself and answer honestly. Are you:

  1. Frequently holing up in a quiet place and recording imaginary things, things out of your head, in great detail?
  2. Talking to yourself to “test out dialogue”?
  3. Scribbling notes on scraps of paper in a rush so you don’t forget the important insights you just had?
  4. Often distracted, walking around lost in thought without total awareness of your surroundings?
  5. Less than impeccably groomed as you work feverishly on your masterpiece?
  6. Laughing to yourself? (note: especially common for comedy writers)

This quiz can narrow things down to either writer or crazy person; further diagnostic assessment will need to be conducted to distinguish between the two. As a writer, I’m not sure that I’m competent enough able to tell.

Or maybe—as the release date of my book “Facebook Jeanie” is upon us and I worry over reviews—maybe it’s actually a good thing that writing and going totally bonkers seem to be one and the same. Because if you’re absolutely nuts, you don’t care at all what people think of you. If you think you’re the queen of England then you’re the Freaking Queen of England and everyone else can just piss off. I think I’m going to channel this mindset if I get a bad review of my new book. I’ll see it and simply declare, “Off with his head!” because that’s the punishment for treason.  

But maybe writing is actually more like the experience that Will Ferrell’s character Frank has in Old School. No, I’m not thinking of him streaking naked and drunk through town. Nor am I imagining him dressed up in a mascot costume jumping through a flaming hoop and taking it all down with him. Though those are memorable moments in the cinematic canon.

What I’m talking about is the debate scene when Frank is up against the great James Carville. Something funny happens. When he stands at the podium, he seems to tap into a different part of his brain, channeling eloquence that come out of him in a rush. Ordinary Frank delivers such genius that it makes James Carville instantly give up, saying, “We have no response. That was perfect.” Afterwards, Frank has no recollection of it: “What happened? I blacked out.” http://www.youtube.com/watch?v=_yYDzLUH1NE

Maybe that’s what writing is like: entering an altered, elevated consciousness. When I emerge from a couple of hours of writing wearing sweatpants with my hair all up and wild and my eyes blinking like ‘what happened?’, I’m going to explain to everyone that I haven’t lost my mind, I’ve simply been channeling my inner genius. Just like Will Ferrell in Old School.  

Facebook Jeanie

 
It's Bridget Jones meets "Groundhog Day"...

Ever wonder if you made the right choice? What if you could go back and find out?

31-year-old Clara is in a steady relationship—with Facebook. Every night after her depressing bureaucratic job (so much for saving the world), Clara comes come to her empty apartment and settles down with a pint of ice cream for some good, old-fashioned Facebook stalking. It's her college boyfriend, The One Who Got Away. He now has a perfect wife, perfect house and the perfect life—everything she could have had if she hadn't been so, so stupid.

But, wait. Jeanie from Facebook shows up at Clara's job. There's a new app they're beta-testing and Clara's perfect for it. That night she clicks on it and... nothing happens. But the next morning when Clara wakes up at noon, hung over, listening to her roommate blow-drying her hair and singing "Gettin' Jiggy Wit It", she realizes she's back in college. With the chance to do it all over again.

Back in the world of frat parties, BFFs, and long-suffering, overlooked lab partners, join Clara as she discovers what it really means to hit the reset button on life. What could possibly go wrong? And, this time, can she get it right?

Thursday, 29 August 2013

Book Tour ~ The Big Empty by Ritch Gaiti - Guest Post + Giveaway


The Big Empty
by Ritch Gaiti
Publisher: Sedona Editions
Published: May 2013
ISBN (ebook): 978-0-9833837-3-4


Reviews

“…masterfully conceived, exquisitely written, dramatically atmospheric…Highly recommended.” Grady Harp, Literary Aficionado/Amazon Hall of Fame Reviewer

“…a home run with fiction lovers, conspiracy theorists and anyone who likes a fast-paced mystery that keeps the reader guessing until the very end.” Pacific Book Review

“…characters are detailed, realistic, and incredibly three dimensional…you are never exactly sure who is trustworthy.” Laurie Love, AGoddessofLiterature.com

“…a great slow-burning mystery thriller.” James Goulding

The Big Empty -summary

A gritty lawyer uncovers an ancient conspiracy and the betrayal of a man and a nation. A thriller mystery of treachery, trust and redemption.

Every instinct I had told me to get out but I couldn’t, not now. This simple case would trigger repercussions that would unnerve the city, maybe the country. I was about to open doors that had been
nailed shut for a lifetime. And the only path to the truth was through a labyrinth of deceit. I trusted no one, not even myself. My stomach tightened.

The ten years had slipped by like a century. I never thought I’d see New York again and now I find myself buried in its bowels, unsure of what I was after—but I knew I had to find it. I snaked through the city bureaucracy, historical landmarks and some of the most prominent properties in the city, all intricately linked. Nothing fit, yet everything connected and answers only bred more questions. Somehow it had all been mysteriously tied back to me.

I ventured into the darkest tunnel of all, my own. I realized then why I was chosen—why I had been the only one that could find this elusive document. Deep within a maze of deceptions and betrayals,
I uncovered a massive conspiracy among the most esteemed organizations in the world—and the truth that had sent my life into a tailspin ten years ago was far from true. Suddenly, this seemingly routine assignment suddenly had enormous stakes and consequences. Now it was up to me to mend an ancient injustice and the fate of an entire culture.


Guest Post ~ Motivation and inspiration 

I have many books in my creative pipeline – all in some stage of development – from idea scratchings to almost-completed, ready-to-go-except-for-one-more-thing, tomes. Sometimes I start a book because I have an idea, a beginning, or a character or a particular voice – quite often I have no clue where the story is going or how it will get there. Quite often, the storyline and plot have not been fully thought out and are in a constant state of flux. That is the adventure of writing – you can change your fictional reality.

But there are two aspects that distinguish my completed books from the rest - the characters and the message. 

I know my characters well - who they are, how they will react, what they will say and do in any circumstance. In fact, as I write, it’s as if the character’s hands are on my keyboard and I am just 
witnessing the birth of dialogue. I am not inside the character’s heads; I AM the character.  I love strong characters that are elegantly flawed. And I love to experience them as they succeed and fail and change and grow.

So the character is my vehicle and my message is my goal. How the character gets from here to there evolves through the story. Every book I have written has had a strong message – not a moralistic one, rather something I want to bring into the reader’s awareness. In TWEET, it was a humorous account about consumerism and how we have become an impersonal society where the individual has no say. I chose Glebe, quirky and very funny, as my lead character. 

In DUTCHING THE BOOK, my message was to depict the mini society of horse playing and gambling in 1960’s Brooklyn, which was based on real people and events. In this case, I actually knew the characters well in real life, so writing about them was like reliving moments that I had never been part of.  

THE BIG EMPTY, my latest book, presented a different challenge because I wanted to deliver the story on several different levels. My goal was to convey a socially significant narrative through the gritty first-person voice of gritty Rick Wallace, a washed up Native American lawyer with a buried past.  As gritty as he was, I wanted to convey the thought of destiny and some external influence on our actions. Simultaneously, I had a personal mission to reveal and remedy past historical injustices.  

THE BIG EMPTY started with a character and a message and, after years of writes, re-writes and re-writes, everything came together in a multi-layered, slow burning, gritty mystery. I had three layers of storyline that I had to weave together – that’s the fun, frustration and challenge of writing. So the constants are the same – characters and a message – the rest is the journey of the creative process.

Ritch Gaiti

Ritch Gaiti is an author, an artist and a former Wall Street Executive. He focuses on a wide range of subjects and genres: from drama to suspense to humor; from fiction to non-fiction. His first book, Points, Women Have Them, Men Need Them, was a humorous relationship book. Afterwards, sticking with humor, he wrote Tweet, a fictional satire on consumerism and the advertising industry. Recently, Tweet has been optioned for a feature film. His last book, Dutching the Book, a fictional drama based on real people and events, delivers an absorbing story about horse racing and gambling in 1960’s Brooklyn.

Ritch has also written articles for magazines, including Private Wealth, Tango and Balance magazines and has been featured on national TV and radio, including a guest appearance on the Today Show, opposite Joan Rivers.

In addition to writing, Ritch is a recognized artist who exhibits regularly in galleries and museums across the country. His portfolio can be viewed on: www.Gaiti.com. He is also recreational pilot and enjoys tennis and skiing. a Rafflecopter giveaway

Monday, 24 June 2013

Tour Stop - Little White Lies and Butterflies by Suzie Tullet - Guest Post & Excerpt

Little White Lies and ButterfliesDescription: 
When you're digging yourself into a hole, stop digging.

A child of the nineties, Lydia Livingston is different. The last thing she's ever wanted is to be superwoman; she knows first-hand that 'having it all' isn't everything it's cracked up to be. As far as she's concerned, when it comes to job versus family, it's a definite case of one or the other. And whilst most women her age have spent years climbing the corporate ladder, she's made a career out of bagging her perfect man. At almost thirty and still single, Lydia wonders if she'd made the right choice all those years ago. And realising the time has come to take stock, she goes against her family's wishes and banishes herself off to a distant land—all in the hope of finding a new direction.

At least that's the plan.

But Lydia Livingston isn't just different, she's misunderstood. A fact she knows all too well. So when the totally unsuitable Sam comes along, she decides to tell a little white lie, re-inventing herself as a professional chef – not exactly the best new identity to come up with for a woman who can't even cook. Of course, the last thing she expects is for him to find out the truth and start blackmailing her. Let alone find herself roped into catering for a local wedding. But with things going from bad to worse, her madder than mad family also turn up in something of a surprise visit, intent on celebrating a birthday she's no intentions of celebrating!


Release Date: August 1st 2013

ISBN13: 9781908208194

Guest Post
As a scriptwriter turned novelist, I suppose ‘Lost to Books’ is quite what I am. And as such, I often get asked about my transition from one to the other -  two very different animals in 
many ways, but at the same time quite complimentary.  

Of course, as writers in whichever field we choose, we all have our own voices, styles and experiences of the writing industry and its expectations.  But what follows is an outline of what I, as an individual, have found the key issues between scriptwriting and novel writing to be.

For a start, a script works to a strict time line and there's usually a lot to pack into those 60 or 120 minutes.  So as a scriptwriter it's important to keep the writing punchy - action taking priority over description and dialogue saying a lot without saying much at all.  However, there are exceptions. I mean, an episode of Agatha Christie's Poirot just wouldn't be the same without the long exposition at the end of each episode.  But on the whole I suppose the rule for me was 'less is more' - although I did have the added luxury of having the rest of the TV screen to play with.

After all, in a script, an actor can be doing one thing, whilst something else takes place behind his back; an action that we as an audience can see, but the protagonist can't.  Unlike in novel writing where everything has to be seen from the protagonist's point of view - so if he  or she can't see it, then neither can we.  

Also, when it comes to scriptwriting there's never any mention of the word 'feel'.  After all, what is taking place in someone's head cannot physically be conveyed on our screens.  What can be conveyed, however, is how a character reacts to these feelings, so instead of writing something along the lines of 'Johnny feels sad', in a script it would read 'a tear springs into Johnny's eye'.  Although, once again, there are exceptions to the rule - the use of a narrating voice, for example.  Although in my experience, it's always better to find a cleverer way of imparting any necessary information - having had the question drummed into me: 'If it can't be shown on screen, should it really be there at all?’

Then there are other considerations to take on board in a script, such as allowing both the director and actors their interpretation of what you write.  As well as the cost implications should you choose to include something along the lines of a helicopter crash or two...

I appreciate all this might imply that scriptwriting can be quite limiting.  Indeed, this is something I found it to be sometimes.  But as I said earlier, this field is also complimentary 
when it comes to the penning of a novel.

Thanks to all of the above, it teaches you to write visually without being excessive on the word count, or  too obvious in what it is you want to say; it gives you a grounding in putting together real characters with believable dialogue; and when these are added to creative freedom offered through novel writing, an author can, thus, create a depth not just to his or her characters, but to the story as a whole.

Naturally, I hope I've managed to achieve this aim in my own books and I await your views as to whether I've been successful x

Excerpt
Following the incident at the beach, I had been hoping to avoid any future contact with Sam the Climber, yet here he was, larger than life. Not that I was sure which had bothered me the most-the football in the face, or the slightly unnerving eye contact. Neither of which I wanted to experience ever again and I wondered if I should just get up and leave while the going was good. But my drink still hadn't arrived and the last thing I wanted to do was look rude in of front Efthimeos. I had to think of something else and quick.

Grabbing my book from my bag, I opened it up and used it to shield my face. This should do it! However, just to make sure I began sinking lower and lower into my seat, until I was horizontal to the point I was almost on the floor. Now he'll never notice me.

I wondered if I should take a peek just to check on his whereabouts. But before I got the chance, a drink landing on the table in front of me caught my eye instead. It wasn't the simple glass of coke I'd originally ordered, I further noticed, but some fancy, fandangle cocktail.

I stared at the umbrellas, the tinsel and the cherries on sticks, not even daring to look up.

Please let it be Efthimeos . Please let it be Efthimeos . I thought, finally plucking up the courage. Lifting my gaze I realised that unless my host had undergone some sort of superfast extreme makeover in the last few minutes, the game was up.

'There you go,' said Sam, indicating to the heavily adorned concoction. 'Not just my apology, but as requested, the most expensive drink on the menu.'

I put my book down and began the difficult task of hauling myself up into a more vertical alignment. 'I didn't request it,' I replied ungratefully. 'In fact, if I remember rightly, I said such a purchase wasn't necessary.'

My unwanted guest just carried on standing there, for some reason refusing to see this as his cue to leave-choosing instead to raise an eyebrow. He nodded to the drink. 'Well,' he asked. 'Aren't you going to at least try it?'

I considered his request for a moment, deciding it was a small price to pay if it meant getting rid of the man. And, duly picking up the glass and locating the straw from among all the flora and fauna, I took a long hard draw. 'Jesus, Mary and Joseph!' I spluttered, all at once choking and coughing. 'What the hell's in it? Meths?'

Sam laughed. 'A bit of everything,' he said. He plonked his beer down on the table and took a seat, uninvited. 

'Well excuse me if I don't share your amusement,' I replied, realising that was the second time that day he'd tried to kill me. 'And I don't remember asking you to join me either.'

There was something of a twinkle in his eye and thanks to his air of confidence I could see that he was one of those men used to getting his own way when it came to members of the opposite sex. However, I'd met his type before and knew there was no way he'd ever come across the likes of me. Such a sparkle might've been enough to make any other girl go weak at the knees, but unlike theirs, my kneecaps were made of sterner stuff.

Links

Thursday, 20 June 2013

Tour Stop (Part 1) ~ Leah (World's Apart #1) by Andrea Baker - Guest Post

Leah (World's Apart, #1)Description:
Leah knows that her mother died in a car accident when Leah was small and that her father, who used to be the gentlest dad in the world, has become increasingly controlling and occasionally violent.

She also knows that her recurring dreams are telling her something more about how and why her mother died, and why her dad turned nasty, but they are becoming progressively more disturbing and confusing.

When Leah meets Ben, she is excited to have a friend she can confide in and have fun with, but is he what he seems?

The voice of Leah’s mother repeatedly tells her to rely on her instincts, but when Leah is run over in a freak accident and Ben’s family take over her welfare, are they protecting her or using her?

And why would anyone, good or evil, bother with an ordinary girl just about to go to 
university?

Published: October 11th 2012 by Taylor Street Books


Guest Post
Hello Sienna and Thank You so much for inviting me to be a guest on your blog!


My novel, Worlds Apart – Leah, is based less than three miles from my home in Warwickshire, England.  A very beautiful part of the country, and somewhere that I have lived for most of my life.  To be honest although I love to travel, I can’t imagine living anywhere else now.

Leah, the heroine of the story, is just about to start University, but has been forced to change her plans to go away with her best friend, as her father wants them to stay together.

My favourite novels as a child were Fantasy, and the biggest influence of my childhood was CS Lewis and The Chronicles of Narnia – I’ve lost count of how many times I have read them! Another favourite though was the Anne of Green Gables books by Lucy Maude Montgomery, hardly fantasy, but the imagery and storyline really had me hooked.

It’s hard really to pinpoint when the idea for Leah first started.  I know it is the first of a series, and I also have books two and three planned, and partially completed, but every now and then I get flashes of other stories and I can’t work out yet whether they will form part of what is already known, or will take Leah further on in her journey. 

Part of it is, I think, that I have what always seems to me to be a unique style when I am writing.  I have the ideas, but then as I am writing I see images in my mind, almost as though I am watching a film.  The biggest challenge then is keeping up with the story in my mind.  I have a few author friends, all part of the Alliance of Worldbuilders, that are both published and yet to be published, and I listen with some envy to them discussing plotting, or mapping their novels.  If I try to do that formally the ideas just seem to dry up.  I would recommend the Alliance to other fantasy authors though – they’re a great bunch of very talented people, and the advice and support I personally have had from them has been invaluable.  Many of them read the early drafts of Leah, and the finished book is so much better because of their input.  

To find them, and other fantastic fantasy authors, follow the dedicated link on my web page.

I guess I ought to shut up for now; otherwise I will be talking to you guys all night.  Thanks again Sienna for inviting me, and I’d love to hear your reader’s comments on the book!

Take care all,
Andrea

No problem Andrea! It's great to hear from you :)

Links

   Book Trailer |  Website |  Blog | Twitter:  @RoseWall15 | Facebook  


Tuesday, 18 June 2013

Guest Post ~ Steven Manchester author of Rockin' Chair

The Rockin' Chair 
The Rockin' ChairSteven Manchester

Description
Memories are the ultimate contradiction. They can warm us on our coldest days – or they can freeze a loved one out of our lives forever. The McCarthy family has a trove of warm memories. Of innocent first kisses. Of sumptuous family meals. Of wondrous lessons learned at the foot of a rocking chair. But they also have had their share of icy ones. Of words that can never be unsaid. Of choices that can never be unmade. Of actions that can never be undone.

Following the death of his beloved wife, John McCarthy – Grandpa John – calls his family back home. It is time for them to face the memories they have made, both warm and cold. Only then can they move beyond them and into the future.

A rich portrait of a family at a crossroad, THE ROCKIN' CHAIR is Steven Manchester’s most heartfelt and emotionally engaging novel to date. If family matters to you, it is a story you must read.

Buy Links: Amazon | Barnes & Noble

Author Bio:
Steven Manchester
Steven Manchester is the published author of the #1 best seller, Twelve Months, as well as A Christmas Wish (the holiday prequel to Goodnight, Brian) andGoodnight, Brian. He is also the Pressed Pennies, The Unexpected Storm: The Gulf War Legacy and Jacob Evans, as well as several books under the pseudonym, Steven Herberts. His work has appeared on NBC's Today Show, CBS's The Early Show, CNN’s American Morning and BET’s Nightly News. Recently, three of his short stories were selected "101 Best" for Chicken Soup for the Soul series.

Guest Post - My Writing Process


I suppose I discovered the writing world by accident – or perhaps it discovered me. I’d just returned home from Operation Desert Storm, and was working as a prison a investigator in Massachusetts. Needless to say, there was great negativity in my life at that time. I decided to return to college to finish my degree in Criminal Justice. During one of the classes, the professor talked about police work but nothing else. I finally raised my hand and asked, “The criminal justice system is vast. What about the courts, probation, parole – corrections?” He smiled and told me to see him after class. I thought I’d finally done it! In his office, he explained, “There’s no written material out there on corrections or prisons, except from the slanted perspective of inmates.” He smiled again and dropped the bomb. “If you’re so smart,” he said, “why don’t you write it?” Nine months later, I dropped the first draft of 6-5; A Different Shade of Blue on his desk. From then on, I was hooked. I was a writer. 

I’d written a lot at my job (report writing), but it all started with my college professor’s challenge. Perhaps because of my age and experience, I understood right away that 
writing is a craft that takes time to evolve; to mature, so I spent the next several years
PRACTICING my chosen craft. Under the pen name, Steven Herberts, I wrote in every 
venue of print I could get my name in: newspaper, magazine, etc. I also penned two collections of poetry, and wrote drafts for two more books. After five solid years of writing, I finally believed that I’d found my voice; MY STYLE – and was ready to contact an agent.

The greatest challenge for me has been time. First and foremost, I am a dad and my children come first. After that, there are other responsibilities that need my attention. Yet, my passion to write has constantly gnawed at my soul. To overcome the obstacle of time, I made writing a priority over watching TV and sometimes even sleeping. Once my family is taken care of and the world closes its eyes, I’m up for a few more hours each day – chasing my dreams on paper.

It has taken thousands of words, hundreds of pages, before I finally identified with a particular genre. I decided that my voice was a more sensitive one: a male perspective to a female audience. My new novel, Twelve Months, is evidence of that. 

Twelve Months synopsis:
Don DiMarco has a very good life – a family he loves, a comfortable lifestyle, passions and interests that keep him amused. He also thought he had time, but that turned out not to be the case. Faced with news that might have immediately felled most, Don now wonders if he has time enough. Time enough to show his wife the romance he didn’t always lavish on her. Time enough to live out his most ambitious fantasies. Time enough to close the circle on some of his most aching unresolved relationships. Summoning an inner strength he barely realized he possessed, Don sets off to prove that twelve months is time enough to live a life in full.

A glorious celebration of each and every moment that we’re given here on Earth, as well 
as the eternal bonds that we all share, Twelve Months is a stirring testament to the power
of the human spirit.

Early Reviews include: 
"Move over, Nicholas Sparks! Steven Manchester's Twelve Months is a book that will stay with you long after you've read the last page. It will make you want to live better and love more. Steven Manchester is my new favorite author!" – Susan Farr-Fahncke, Author & Editor, 2theheart.com

“Steven Manchester doesn’t just write books; he authors life lesson plans. Twelve Months 
is a powerful work of fiction." – Heather Froeschl, Reviewer, Quilldipper.com

“Twelve Months is a story that acts as a medicine for the desperate mind and is definitely 
worth the read.” – Liana Metal, Book Reviewer, Rambles.net / Midwestbookreview.com

Now that I have nearly two decades of writing and getting published under my belt, I enjoy trying to help new writers break in. My advice is always the same: 
  • Be true to yourself, always.
  • Write constantly.
  • Keep the faith!!!
  • And NEVER, EVER, EVER quit. Most people in this industry would agree that more than talent or skill or even luck, perseverance is the one trait that will always get the job done.
  • Knock on every door you can, and keep knocking. I promise that eventually someone will open and the warmth you feel on your face will more than validate every hour spent alone in the darkness.

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