Showing posts with label stephanie carroll. Show all posts
Showing posts with label stephanie carroll. Show all posts

Friday, 12 July 2013

Tour Stop ~ A White Room by Stephanie Carroll (Excerpt)

A White RoomDescription:
At the close of the Victorian Era, society still expected middle-class women to be “the angels of the house,” even as a select few strived to become something more. In this time of change, Emeline Evans dreamed of becoming a nurse. But when her father dies unexpectedly, Emeline sacrifices her ambitions and rescues her family from destitution by marrying John Dorr, a reserved lawyer who can provide for her family. 

John moves Emeline to the remote Missouri town of Labellum and into an unusual house where her sorrow and uneasiness edge toward madness. Furniture twists and turns before her eyes, people stare out at her from empty rooms, and the house itself conspires against her. The doctor diagnoses hysteria, but the treatment merely reinforces the house’s grip on her mind. 

Emeline only finds solace after pursuing an opportunity to serve the poor as an unlicensed nurse. Yet in order to bring comfort to the needy she must secretly defy her husband, whose employer viciously hunts down and prosecutes unlicensed practitioners. Although women are no longer burned at the stake in 1900, disobedience is a symptom of psychological defect, and hysterical women must be controlled. 

A novel of madness and secrets, A White Room presents a fantastical glimpse into the forgotten cult of domesticity, where one’s own home could become a prison and a woman has to be willing to risk everything to be free.

An Insane Woman Battles Furniture in Stephanie Carroll’s A White Room

Author Stephanie Carroll will be checking Lost to Books periodically for the first week of this post to answer any questions readers may have so post away in the comments!


I racked a clean dish and lathered the next. A loud thud made me jump. Then I heard noise from above, creaking sounds, as if someone were traipsing across the parlor. I let my head fall back and stared at the ceiling. It had to be John. I placed the wet dish on the stack, picked up my ivory lamp with the tall cylindrical glass cover and cautiously scaled the stairs. I always moved with wariness while in the house alone, for I feared disturbing something. At the top of the stairs, I looked down a dark hallway.

I hadn’t opened the doors, in case John returned quickly. If he’d been home, he would have left open the door to whichever room he was in. None were ajar.

“Jo—hn?” It felt like hollering underwater. I cleared my throat and took a breath. I was preparing to raise my voice when pounding on the second floor stopped me. I turned my eyes up and listened, too frightened to move. Was it John? Was it the beast?

A clanking noise came from the parlor. I saw the glow of the lamp on the doorknob, hesitated, heard clacking, and inched over.

I grasped the knob, twisted it, and pushed the door open.

It opened to reveal that all the furniture in the parlor was moving,dancing. The winding appendages of the bizarre tables and chairs were actually twisting and twirling. The legs were flailing, and the statues and pictures were sashaying. I dropped the lamp, and the glass cylinder shattered on the floor. My disturbance did not halt the wooden beings’ frenzy. I thrust my hands out. “Stop!Stop! You must stop!” The furniture continued to dance as if I didn’t exist. I looked around at the chaos and tried to think of the appropriate action. I needed to stop this. John could return at any moment. “Stop!” I screamed as loud as I could to cut through the clanking and flailing. “Stop! Stop! Stop now!”

They refused to respond, and an unbearable sense of urgency rose within me from deep in my abdomen. I screamed and grabbed at the snaking extremities. I took hold of the leg of a chair and snapped it off. With the sound of the chair’s limb breaking free, an unquenchable need to demolish these rebellious objects began to boil in my gut. I bunched my hands into tight little rocks and experienced my own detonation. I picked up a statuette and hurled it at the wall. I kicked over a table, and all the bric-a-brac crashed to the floor. I stomped down on the legs of the table I’d knocked over, breaking all but one off. I continued seeking out the most frail furnishings and tearing them limb from limb. The entire room fell into a hush. I seized a detached extremity and waved it in the air. “Do you see? Do you see what I can do to you?”

The room sat motionless, as if nothing had happened. Had it not? I scanned the parlor and saw the disarray that had resulted from my thrashing. My heart skipped. John would be home soon. 

I couldn’t allow him to see it. What would he think? What a cruel and evil trick the furniture had played on me. Quickly, I ran about the room and turned chairs and tables upright and gathered the smashed pieces of bric-a-brac together. I scuttled and tripped on my skirt. I swiftly removed the broken table, dismembered pieces, and shattered porcelain and ran down the stairs to stow them with my melancholy in the basement.

As I set the rubble down in a corner, I heard thumping again. 

I dashed upstairs and into the parlor to find the furniture at it again, only this time instead of merely dancing, the pieces were running amok. The bastards knew I would be the one to suffer the consequences. They didn’t speak it—they couldn’t, being only furniture—but I knew they were calling out in an uproar, “Do you see? Do you see what we can do to you?”

I watched as one reached out and tipped over a potted plant, scattering soil everywhere.

“No!”

A twirling vine from a cabinet slid up the wall, lifted off a mirror and let it crash to the floor.

“You wretched things!” I scrambled to pick everything up. I moved from place to place standing tables up, positioning chairs to face the proper direction, and gathering shards of porcelain and glass. I picked up trinkets and statuettes and put them in their places. Every time I cleared something from the room, I returned to worse. Every time I put something right, I whirled around to find it all wrong again. “No, no, no.”

Finally, I couldn’t take anymore. I fell to my knees, covered my face with my hands and screamed. “Stop! Stop! I’m begging you—please stop!”

“Emeline?” A calm but curious voice broke through the insanity.

Nothing around me was in motion. There was only me, a lifeless parlor, and John’s voice. I opened my eyes, lifted my head and peeked through my hands to see his lanky form standing in the open doorway, his cheeks twitching and his eyes bulging. “What happened?” He sounded oddly concerned.

I looked up, stunned. I lowered my trembling hands from my face and clasped them at my chest. My mouth hung open but could not form syllables.

He stared.

“I—I tripped?”

“You tripped?”

I nodded ever so slightly.

He pointed. “You have blood on your face.”

I lifted my hand to my left cheek and felt a wet slick but no pain.

I noticed a slit in my sleeve that revealed a little blood-speckled

flesh. “Uh—I—I cut myself.”

John observed the room—furniture tipped over, chairs facing every direction, dirt strewn across the floor, little piles of broken porcelain and glass throughout. He may have suspected my dishonesty.

He bent down and picked up a rounded fragment of a vase.

My eyes darted to and fro in panic. I realized how I must have looked, on my knees in the middle of the room, panting, with a red smear across my face, a cut arm, surrounded by wreckage. “It was an accident.”

He rubbed the broken porcelain with his thumb. “Well, I’ll be in the library.” He turned and walked out.

I looked over my shoulder at the destroyed parlor, everything limp and lifeless. “Damn furniture.”


—Quoted with the permission of the author.


A White Room is Available in Print $14.99 and
eBook $3.99 (Kindle, Nook, Sony, e-pub)


Stephanie  CarrollAbout the Author

As a reporter and community editor, Stephanie Carroll earned first place awards from the National Newspaper Association and from the Nevada Press Association. Stephanie holds degrees in history and social science. She graduated summa cum laude from California State University, Fresno.
Her dark and magical writing is inspired by the classic authors Charlotte Perkins Gilman (The Yellow Wallpaper), Frances Hodgson Burnett (The Secret Garden), and Emily Bronte (Wuthering Heights).
Stephanie blogs and writes fiction in California, where her husband is stationed with the U.S. Navy. Her website is www.stephaniecarroll.net.
A White Room is her debut novel.

Find Stephanie Carroll


Follow the Blog Tour!

Weds, June 19  Oh, For the Hook of a Book:  Book Review and Giveaway (ebook)

Thurs, June 20  Hazel the Witch:  Interview and Giveaway (Print)

Sat, June 22  Reading in Ecuador:  
Guest Post: How to Write Suspenseful Fiction including A White Room excerpt

Thurs, June 27  Momma Bears Book Blog:  Giveaway and
Guest Post: The Story Behind Emeline’s Mental Distress

Fri, June 28The Bookish Dame:  Interview and Giveaway

Tues, July 2 – I am Indeed:  Guest Post: Historical Accuracy in Historical Fiction

Mon, July 8 – Bookfari:  Interview and Giveaway

Tues, July 9 – Hazel the Witch
Guest Post – How to Write the Inner Thoughts of a Crazy Person

Weds, July 10  Satisfaction for Insatiable Readers: Review and Giveaway

Fri, July 12 – Lost to Books:  Guest Post TBA and Giveaway

Mon, July 15 – A Writer of History:  Guest Post: Writing an Era – Where to Begin?

Weds, July 17 – Michelle’s Romantic Tangle:  Interview

Thurs, July 18  Oh, For the Hook of a Book:  Interview

Tues, July 23 – Unabridged Chick:  Review and Giveaway

Thurs July 25 – Ravings and Ramblings:  Review and Interview

Tues July 30  Reading the Past:  Giveaway and Guest Post:
Writing and Historical Thought - They Didn't Think Like We Did 100 Years Ago

Sat, Aug. 3  History and Women:  Giveaway and Guest Post:
Guest Post: Victorian Women and the Mystery of Sex 


Sunday, 28 October 2012

Special Halloween Guest Post - by Author Stephanie Carroll


              Today I have author Stephanie Carroll posting on my blog. 
She has kindly written a post about putting the 'scary' into your scary stories. I found this a really enjoyable read (as I write dark paranormal romance myself) and it fits nicely seeing as Halloween is coming around the corner.

So everyone give a warm welcome to Stephanie! 

    




photo credit:
 
Stephanie Massaro via photopin cc
How to Get the Scary in Your Scary Story 

By Stephanie Carroll 

The Origins of Horror 
Most people probably have the impression that horror is a genre that reflects the extreme side of scary stories, meaning there are other genres, but as I researched this, it turns out that’s not quite the case.

According to the Horror Writer’s Association,any story meant to frighten the reader is considered horror fiction. However, in the 1980s and 1990s the horror genre became stereotyped following formulas debuted by Stephen King. In order to avoid the hype, modern day writers who technically write horror fiction label their works under another genre. For example, by the horror definition, The Lovely Bones by Alice Sebold is horror fiction.

The roots of horror fiction come from ancient and folklore tales mostly dealing with religious fears, including death, the afterlife, evil, demons, and the devil. The genre of horror fiction specialized in the 18th century with Gothic Horror and continued in the 19th century with such classics as Mary Shelley’s Frankenstein (1818), Bram Stoker’s Dracula (1897), Robert Louis Stevenson’s Th Strange Case of Dr. Jekyll and Mr. Hyde (1886), and Oscar Wilde’s The Picture of Dorian Gray (1890). Even more interesting, original horror targeted the female audience and usually included a female protagonist. Learn more at the Wikipedia Horror Entry.


photo credit: Bill McIntyre 
The classic ghost stories and other tales of death were refined within the genre of Weird Fiction, which developed in the 19th and 20th centuries and includes authors H.P. Lovecraft, Lord Dunsany, M. R. James, and Clark Ashton Smith. I did a recent post on Weird Fiction on my blog The Unhinged Historian if you’d like to learn more about this genre.

Horror and Weird Fiction are both sub-genres of Speculative Fiction, which includes any fantastical genre like fantasy and sci-fi. 



Scary Techniques
So if all scary stories are either speculative, horror, or weird, what are some of the different techniques for different types of scares?


photo credit
Once again referencing the Horror Writer’s Association, horror involves fear and as society embraces fear those anxieties lessen forcing writers to always be pushing the bounds of fear. Nevertheless, there are still some techniques that we can call upon.


Classic Gothic Horror – look into the classics, such as Bram Stroker’s Dracula and Mary Shelley’s Frankenstein and reuse the classic techniques. Check out this post by WritingHood for ideas.

Monsters! – Classic and new monster stories are always fun. Usually, when we think of a monster story, we think of the swamp thing or the old werewolf flicks, but modern day monsters are created all the time. Check out these awesome videos for ideas about making up all new creatures and ghoulsThe Stan Winston School of Character Arts.

Suspense – a lot of people confuse suspense and thriller. The difference is that suspense causes a sense of anxiety due to impending danger whereas a thriller causes a sense of a rush due to action. Scary Suspense stories are the ones that have you gripping your seat then flinching when something jumps out causing you to spill your soda on your date. Check out this guest blog post on the Venture Galleries Blog.

Hauntings – If you like the Weird Fiction style, then maybe you’re interested in writing a modern day ghost story. I personally love ghost stories and Weird Fiction because hauntings are great for historical fiction writers. The reason being the best ghosts are from a creepy and disturbed past. Still, haunting stories have been done, done, done, so you need to make sure you are original. This Atomic Soapbox post has some pretty good points on how the ghost story works, and the best way to come up with something original is to understand what others have done and how the genre works.

Gore – it’s what modern day horror is all about, and a lot of people absolutely love it. Horror movies are huge right now, but what a lot of people are beginning to realize is that gore is always more graphic in books. Why? Because you can push farther in the written word. Take Misery by Stephen King – in the move Annie Wilkes crushes Paul Sheldon’s feet with a sledge hammer while he is still conscious, but in the book, she sawed those little footies off! Check out this eHow Article on How To Write Gory Fiction for help.

Tapping into our Darkest Fears – this is the biggie in my book for scary stuff. I still cannot stand to think of certain stories that involved burying people alive, cutting them open while they are awake, and sewing orifices to other orifices. I tried to find a good resource for this technique and couldn’t find one. It’s made me conclude that the best technique is to go for something that is so horrifying, so gruesome, that no one has dared to go there before. Start with your own worst fears and chose the one that you absolutely positively do not want to go with. It takes a certain kind of audience to appreciate this though, and I wouldn’t recommend it unless you are writing for those individuals.

I hope you found these techniques useful, and I wish you horrific luck in scaring the skinny jeans off some unsuspecting readers. Happy Halloween!





Cover by Jenny Q
About the Author

Stephanie Carroll writes dark historical fiction with a touch of magical realism. Her debut novel, A White Room, is coming out in the Summer of 2013. She also writes a blog, The Unhinged Historian, for readers and writers of magical, Gothic-Victorian, and Weird historical fiction. Her website is www.stephaniecarroll.net.



Thank you Stephanie and good luck with all your writing and future work!



Happy Halloween everyone!




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